Casablanca (1942)

Casablanca(1942)

The classic and much-loved romantic melodramaCasablanca(1942), always found on top-ten lists of films, is a masterful tale of two men vying for the same woman's love in a love triangle. The story of political and romantic espionage is set against the backdrop of the wartime conflict between democracy and totalitarianism（极权主义）. [The date given for the film is often given as either 1942 and 1943. That is because its limited premiere（初次的演出）was in 1942, but the film did not play nationally, or in Los Angeles, until 1943.]

With rich and smoky atmosphere, anti-Nazi propaganda（宣传）, Max Steiner's superb（华丽的）musical score, suspense（悬念）, unforgettable characters (supposedly 34 nationalities are included in its cast) and memorable lines of dialogue (e.g., "Here's lookin' at you, kid," and the inaccurately-quoted "Play it again, Sam"), it is one of the most popular, magical (and flawless) films of all time - focused on the themes of lost love, honor and duty, self-sacrifice and romance within a chaotic（混乱的，无秩序的）world.紫金香{lZ-]
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Woody Allen'sPlay It Again, Sam (1972)paid reverential（可敬的）homage（敬意）to the film, as have the lesser filmsCabo Blanco (1981)andBarb Wire (1996), and the animated Bugs Bunny shortCarrotblanca (1995). The line "Play it again, Sam" appeared in the Marx Brothers'A Night inCasablanca(1946). Clips or references to the film have been used inPlay It Again, Sam (1972),Brazil (1985),My Stepmother is an Alien (1988), andWhen Harry Met Sally (1989).

Directed by the talented Hungarian-accented Michael Curtiz and shot almost entirely on studio sets, the film moves quickly through a surprisingly tightly constructed plot, even though the script was written from day to day as the filming progressed and no one knew how the film would end - who would use the two exit visas? [Would Ilsa, Rick's lover from a past romance inParis, depart with him or leave with her husband Victor, the leader of the underground resistance movement?] And three weeks after shooting ended, producer Hal Wallis contributed the film's famous final line - delivered on a fog-shrouded runway.

The sentimental story, originally structured as a one-set play, was based on an unproduced play entitledEverybody Comes to Rick'sby Murray Burnett and Joan Alison - the film's original title. Its collaborative screenplay was mainly the result of the efforts of Julius J. and Philip G. Epstein and Howard Koch. In all, six writers took the play's script, and with the models ofAlgiers (1938)andOnly Angels Have Wings (1939)to follow, they transformed the romantic tale into this quintessential（精萃的,精髓的）classic that samples almost every film genre（类型,流派）.紫金香R F5A8J3dN]

Except for the initial airport sequence, the entire studio-oriented film was shot in a Warner Bros. Hollywood/Burbank studio. Many other 40s stars were considered for the lead roles: Hedy Lamarr, Ann Sheridan, French actress Michele Morgan, and George Raft.

[It's an 'urban legend' that Ronald Reagan was seriously considered for a role in the film. The Warner Bros. publicity office famously planted a pre-production press release inThe Hollywood Reporteron January 5, 1942 (it was also released to dozens of newspapers across the country two days later), stating that Reagan would co-star with Ann Sheridan for the third time inCasablanca (1942)- in order to actually encourage support for the soon-to-be-released filmKings Row (1942)with the two stars.]紫金香k uh(BL1M'kx

And pianist Sam's role (portrayed by "Dooley" Wilson - who was actually a drummer) was originally to be taken by a female (either Hazel Scott, Lena Horne, or Ella Fitzgerald). The lead male part went to Humphrey Bogart in his first romantic lead as the tough and cynical on-the-outside, morally-principled, sentimental on-the-inside cafe owner inCasablanca,Morocco. His appearance with co-star Ingrid Bergman was their first - and last. As a hardened American expatriate, Bogart runs a bar/casino (Rick'sCafe Americain) - a way-station to freedom in WWII French-occupiedMorocco, where a former lover (Bergman) who previously 'jilted' him comes back into his life. She is married to a heroic French Resistance leader (Henreid). Stubbornly isolationist, the hero is inspired to support the Resistance movement and give up personal happiness with his past love.

TheHollywoodfairy-tale was actually filmed during a time of US ties withVichyFrancewhen President Roosevelt equivocated and vacillated between pro-Vichy or pro-Gaullist support. And it was rushed into general release almost three weeks after the Allied landing at the Axis-occupied, North African city ofCasablanca, when Eisenhower's forces marched into the African city. Due to the military action, Warner Bros. Studios was able to capitalize on the free publicity and the nation's familiarity with the city's name when the film opened.

It played first as a pre-release engagement on Thanksgiving Day, 1942 at the Hollywood Theater inNew York. [On the last day of 1942,Rooseveltactually screened the film at the White House.] Its strategic timing was further enhanced at the time of its general release in early 1943 by the January 14-24, 1943 Casablanca Conference (a summit meeting in which Roosevelt broke US-Vichy relations) in the Moroccan city with Churchill, Roosevelt, and two French leaders - DeGaulle (the charismatic Free French leader) and General Henri Giraud (supportive of Marshal Petain). [Note:Stalin declined the invitation to attend the so-called 'Big Three' Conference.]

The big-budget film (of slightly less than $1 million), took in box-office of slightly more than $4 million. It was considered for eight Academy Awards for the year 1943. [Actually, it should have competed againstMrs. Miniver (1942)(the Best Picture winner in the previous year), since it premiered inNew Yorkin November of that year. However, because it didn't show inLos Angelesuntil its general release that January, it was ineligible for awards in 1942, and competed in 1943.] The nominations included Best Actor (Humphrey Bogart), Best Supporting Actor (Claude Rains), Best B/W Cinematography (Arthur Edeson, known forThe Maltese Falcon (1941)), Best Score (Max Steiner, known forGone With the Wind (1939)), and Best Film Editing (Owen Marks). The dark-horse film won three awards (presented in early March of 1944): Best Picture (producer Hal B. Wallis), Best Director, and Best Screenplay. Bogart lost to Paul Lukas for his role inWatch on the Rhine. And Bergman wasn't even nominated for this film, but instead was nominated for Best Actress forFor Whom The Bell Tolls(and she lost to Jennifer Jones inThe Song of Bernadette). Bogart had made three other films in 1943:Sahara,Action in the North Atlantic, andThank Your Lucky Stars.紫金香7u-N.d^w(Cb*a8R(N

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At the film's beginning, the credits are displayed over a political map ofAfrica. In the first five minutes of footage, the introductory details are succinctly communicated. Over a crude, slowly-spinning globe and a zoom-in shot toward Western Europe, a doom-laden, ominous voice-over, similar to theMarch of Timenewsreel narrations [by Westbrook Van Voorhis], explains the turbulent Nazi takeover of Europe, the coming of World War II, and the frenetic stream of political refugees (superimposed over the globe) from persecution out of Hitler's besieged Europe to Vichy France and North Africa:紫金香 d?^;{m

With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully or desperately toward the freedom of theAmericas.Lisbonbecame the great embarkation point. But not everybody could get toLisbondirectly...紫金香DM(I9@4Gd3~ O}

A three-toned relief map of the land mass of Axis-occupiedEuropespins into the frame, showing the opposing sides in the conflict:

·      Light Tone:Allied Powers:Great Britain, the British Empire, and her allies (including theSoviet Union)

·      Middle Tone:Neutral Nations:Sweden,Switzerland, Eire (Ireland),Spain, andPortugal. Unoccupied and neutral zones include the southern portion of France and French North Africa (Tunisia,Algeria, and French Morocco)紫金香3Ij/nt6E

·      Dark Tone:Axis Powers:Germany,Italy, their allies (Hungary,Rumania,Slovakia,Croatia), and conquered territories (Belgium, The Netherlands,Norway,Denmark, and parts ofPoland,Luxembourg,Czechoslovakia, andYugoslavia).Northwestern Franceis German occupied

European refugee trails and torturous escape routes are developing - a bold line is drawn from the city ofParistoMarseillesinVichyFrance. The line finally reaches toCasablancaon the coast of neutral French Morocco, the setting for the film, where refugees (unless they are wealthy or influential enough to acquire quick-exit visas) are victimized by predatory, corruptVichybureaucrats:

And so a torturous, round-about refugee trail sprang up.ParistoMarseilles, across the Mediterranean toOran[inAlgeria], then by train or auto or foot across the rim of Africa toCasablancain French Morocco. Here the fortunate ones through money or influence or luck might obtain exit visas and scurry toLisbon, and fromLisbonto theNew World. But the others wait inCasablanca, and wait and wait and wait.紫金香h!XJ1b^;]
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The camera descends from a mosque into the crowded, stucco-walled coastal city of Casablanca, a way station city (an upscale concentration camp) technically ruled by neutral Unoccupied France - located out of war-torn Europe. The story is set in early December1941 ina city (and cafe), in a dangerous, far-off locale that is a microcosm of the wartime world.紫金香"]5rD$A3M9sS4N

More important details regarding the setting and characters are telescoped very precisely and economically - information about the theft of transit letters, the political and social situation in pro-Vichy Casablanca, the arrival of the Nazi commandant and his friendship with the self-satisfied Vichy policeman, the crucial daily flights to Lisbon, and the central importance of Rick's Cafe.紫金香b5`Y8W'Dq.d1{

[The film's opening montage was created by Don Siegel, later known forInvasion of the Body Snatchers (1956)andDirty Harry (1971).] In a medium closeup shot, a French-accented police officer reads a teletype report to all officers (over the radio) about the Tuesday, December 1, 1941 murder of two German couriers and the theft of official important documents they were carrying:

To all officers. Two German couriers carrying important official documents murdered on train fromOran. Murderer and possible accomplices headed forCasablanca. Round up all suspicious characters and search them for stolen document. IMPORTANT.

The French police,notthe Germans, have the jurisdiction and authority to investigate the crime that occurred in Unoccupied France, a neutral country.

During a round-up of suspects by police gendarmes in the city, the precarious situation of a collection of refugees (those in European clothing inCasablanca) is set up by a few short scenes:

·  The open-air city market, a scene of intrigue, is teeming with black marketeers, smugglers, thieves, spies, double agents and refugees who desperately seek to obtain tickets (exit visas) on the daily plane to neutralLisbon.紫金香u:v_*tLb+Xge {"? V3x

·  During a roundup by the French police, one fleeing civilian suspect (Paul Andor) with expired identification papers who refuses to halt is shot in the back and falls dead beneath a wall poster (Je Tiens Mes Promesses Mem Celles Des Autres- "I Keep My Promises, Just as I Keep the Promises of Others") of Marshal Philippe Petain, the dictatorial French head of state in Vichy France. The suspect dies clutching a resistance handbill bearing the Cross of Lorraine symbol - revealing his membership in the Free France Organization headed by Petain's arch rival, General Charles De Gaulle.紫金香7BDGLB!t-I%Q^

·  The camera pans down from an etched-stone slogan above a doorway: "Liberte, Egalite, Fraternite" (Liberty, Equality, Fraternity), the slogan of theFrenchRepublic- an outdated, tarnished sign that hadn't yet been replaced by the Vichy Government. The many suspects are herded into a police-station building bearing the sign: "Palais de Justice."紫金香#B I b{9rSAC

·  At an open-air cafe, a dark, wiry pickpocket (Curt Bois) preys on an English couple, stranded in the Vichy-controlled area. As he informs them that the "scum of Europe has gravitated toCasablanca" and warns them to "be on guard" for "vultures," he lifts the gentleman's wallet.

·  An arriving plane flies over the rooftop sign ofRick's Cafe Americainas a crowd of refugees covetously watches it pass overhead. Among many faces that turn skyward and yearn for freedom in theAmericas, a Bulgarian couple, Jan Viereck (Helmut Dantine) and Annina Brandel (Joy Page) hopefully wonder aloud: "Perhaps tomorrow, we'll be on the plane."

But the refugees are mistaken - it is not the single-engined, high-winged plane fromLisbon, the gateway city, but one with a swastika bringing the new German Nazi/Gestapo commander Major Heinrich Strasser (Conrad Veidt). The Gestapo Major is ready to assist in the investigation of the murdered German couriers and pressure the French Police to do their duty. In the honor guard of assembled dignitaries, the Nazis exchange "Heil Hitlers" with outstretched arms. Then, the local Vichy puppet Chief (Préfet de Police), the sophisticated Capitaine Louis Renault (Claude Rains) with his police cap tilted jauntily, already identified by the pickpocket as a Parisian womanizer who takes advantage of "beautiful young girl(s)" among the refugees, greets the disdainful and arrogant German Nazi:

Renault:UnoccupiedFrancewelcomes you toCasablanca.
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|Nn@w3hd9|0Strasser: Thank you, Captain. It's very good to be here...(Renault introduces his aide Lt. Casselle, and is brusquely intruded upon by Italian Capt. Tonelli.) You may find the climate ofCasablancaa trifle warm, Major.
GR,Z~ wpW8z/L0Strasser: Oh, we Germans must get used to all climates, fromRussiato theSahara. But perhaps you were not referring to the weather.
-y0c B)u^'Y0Renault: What else, my DEAR Major?

Renault assures him that everything is being done to find the murderer of the two German couriers with their valuable letters of transit: "Realizing the importance of the case, my men are rounding up twice the usual number of suspects." The witty Prefet of Police informs him that the suspected killer's identity is known, and that his arrest is being staged, in Strasser's honor, later that night atRick's Cafe Americain- a gambling den. Renault states that the cafe is the center of everything that happens inCasablanca, in a tribute to the film's source: "Everybody Comes to Rick's." [Later flashbacks reveal that Rick leftParisin June of 1940 - remarkably, he was able to set up a prosperous cafe/casino in only 18 months.]

The scene quickly dissolves to the cafe that evening - at one edge of the airport runway. An airport's beacon light sweeps across the exterior of the cafe - resembling a prison's circular searchlight to emphasize the forced confinement of everyone in the city. Below a lit signRick's Cafe Americain, a Moroccan doorman lets the guests into the fashionable, upscale club. When the door opens, the smoky, Moorish atmosphere of theCafe Americainis revealed. For a crowd of varied nationalities, black pianist Sam (Arthur "Dooley"Wilson) jauntily sings and plays big band swing music typical of the 40s: "It Had To Be You" and "Shine." [In reality,Wilsonwas not a piano player but a drummer, so his piano pieces were played off-camera by a studio pianist, and he faked the piano-playing.]

The camera eavesdrops on various groups found at different tables to introduce the activities of those stranded inCasablanca. Refugees attempt to escape from Nazi pursuit, hidden by the jovial, hectic and festive atmosphere in the cafe. Shady deals are being made by greedy black marketeers and the desperate, hopeful clientele of all classes and races speaking in various accents.紫金香,Gj)j)p_

·  One man bemoans the endless waiting to leaveCasablanca: "Waiting, waiting, waiting. I'll never get out of here. I'll die inCasablanca."紫金香6}0BY1x zMS

·  A woman sells her smuggled diamonds in a glutted market to a Moor: "But can't you make it just a little more, please?" She accepts2,400 inMoroccan francs (about $72) as the price.

·  In hushed tones, others make secretive travel arrangements to get out: "The trucks are ready. The men are waiting."

·  At another table, a man tells a second man about escaping on the fishing smackSantiago: "It leaves at 1:00 tomorrow night, here from the end of theMedina. Third boat...and bring 15,000 francs -in cash. Remember, in cash."

·  The camera quickly pans by two Chinese refugees speaking an Oriental language to each other.紫金香S ?{8{/{H5qq;PL

In a private gambling room, Carl (S. Z. Sakall, mis-typed in the credits as S. K. Sakall), the genial German headwaiter tells one of the affluent female customers that Rick, the uncaring and sole proprietor/owner of the cafe, doesn't socialize or accept invitations to sit with the clients. Class distinctions are non-existent among those living in the chaotic world of the 1940s:紫金香)Qsuj-f*`(f2QE

Carl: Madame, he never drinks with customers. Never. I have never seen it.紫金香jj!B1\k7pFW
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Female companion: What makes saloonkeeper so snobbish?
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@7wC9Q0Gentleman: Perhaps if you told him I ran the second largest banking house inAmsterdam.
U8[:O,@:Za0Carl: The second largest? That wouldn't interest Rick - the leading banker inAmsterdamis now the pastry chef in our kitchen --
H*d_~5[ rl9rH0Gentleman: We have something to look forward to.

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Cynical, disillusioned, embittered, self-centered, and an exiled loner, Richard "Rick" Blaine (Humphrey Bogart) makes a delayed entrance in the film - in a foreground closeup, only his hand is first viewed scrawling/scribbling a signature of authorization/approval across a check for an advance of 1,000 francs: "OK - Rick." Then, the camera reveals the objects in front of him - an ashtray with a smoldering cigarette, an empty glass, a chess board, and a pen. It slowly follows his arm up to his immaculate white tuxedo to his sober face as he drags on his cigarette. Presiding over the gambling tables in the gaming room, Rick drinks and sits by himself, playing a solitary game of chess. His main functions in the casino are to sign checks and vouchers and to occasionally break up fights. Expressionless, he has learned how to survive and be vigilant in the hostile environment.紫金香6|6qz#ocD

Moments later after a commotion develops at the entryway to the private gaming room, Rick argues with a pompous, bullying German banker (Gregory Gaye) who has been denied access. The cafe owner stands firm and pre-empts the bumptious, indignant customer from presenting his calling card - and he demonstrates his anti-German dislike by ripping it up. Refusing to be intimidated, Rick doesn't explain the reason for refusing to do business with him - just a cryptic conversation to deflate him and dispose of him:紫金香-OPG
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Rick: Yourcashis good at the bar.紫金香8r/E\o kLf
German: What? Do you know who I am?
e_%UGJ:D0Rick: I do. You're lucky the bar's open to you.
(ZH0_"Y4z+o1aa@0German: This is outrageous. I shall report it to the Angriff.

Italian-born Guillermo Ugarte (Peter Lorre), a slimy North African black market dealer in extra-legal items, weasels his way into the gambling room. He nervously observes Rick's anti-German insult, questions the evasive American's origins - and his cynicism, and then expresses sympathy for the "two German couriers" that were murdered:

Ugarte: You know, Rick, watching you just now with the'Deutschebank'[the German banker], one would think you'd been doing this all your life.
9v u4HA)xIeI7Y0Rick: Oh, what makes you think I haven't?紫金香T])J
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Ugarte: Oh, nothing. But when you first came toCasablanca, I thought...紫金香wjJ.P8F0rD/\
Rick: You thought what?
-ds[5ff"a,XiEI9x0Ugarte: What right do I have to think?..(hypocritically) Too bad about those two German couriers, wasn't it?紫金香:[7bbF0x5Fli
Rick: (disparagingly) They got a lucky break. Yesterday, they were just two German clerks. Today, they're the Honored Dead.
5^ k#brM~j4\0Ugarte: You are a very cynical person, Rick, if you forgive me for saying so.
3W(Y?\F9e*DEp2u0Rick: I forgive you.

Rick is contemptuous of Ugarte's "cut-rate" business of selling exit visas for half of Renault's price - and Ugarte senses it, with a sad tone. Ugarte explains his plan to leaveCasablancaonce and for all:紫金香~n,vjfHFM7@vxs

Ugarte: You despise me, don't you?
!i0eb0f5h0Rick: Well, if I gave you any thought, I probably would.紫金香.Ao`7c2v}\
Ugarte: But why? Oh, you object to the kind of business I do, huh? But think of all those poor refugees who must rot in this place if I didn't help them. Well that's not so bad, through ways of my own, I provide them with exit visas.紫金香_8jJ%^#[p*s&o?
Rick: For a price, Ugarte, for a price.
/x8LrY5\0Ugarte: But think of all the poor devils who can't meet Renault's price. I get it for them for half. Is that so parasitic?紫金香RV
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Rick: I don't mind a parasite. I object to a cut-rate one.
$v6~3vm.l0|1a0Ugarte: Well, Rick, after tonight, I'll be through with the whole business, and I'm leaving finally, thisCasablanca.
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S!P/s!IsmKpq0Rick: (quipping) Who'd you bribe for your visa, Renault or yourself?

Ugarte shows Rick two non-rescindable French General-signed letters of transit out ofCasablancathat allow their possessor to travel without a regular passport or visa. [The pronunciation of the General's name is muffled - whether the irrevocable letters of transit were signed by General Charles DeGaulle or General Maxime Weygand, the military-Vichy commander in French N.Africa, is in question. Weygand would be the more accurate and likely one to issue irrevocable letters of transit - although they probably never existed.] His display of the visas insinuates that he killed the German couriers. His plan is to sell them and make a fortune - "more money than even I have ever dreamed of." Chain-smoking nervously, small-time operator Ugarte trusts only Rick and explains his criteria with an ironic compliment: "You know Rick, I have many a friend inCasablanca, but somehow, just because you despise me you are the only one I trust."紫金香t},c9X.G0F0|e#z'D

Ugarte temporarily entrusts the letters of transit with the trustworthy cafe proprietor. Ugarte hopes that Rick admires him: "Rick, I hope you are more impressed with me now, huh?" With a slight sneer on his face, Rick tells Ugarte that he has heard a rumor that the two murdered German couriers were carrying letters of transit - implying that Ugarte was involved in their demise. Ugarte commiserates sarcastically: "Oh, I've heard that rumor too. Poor devils." Rick compliments Ugarte: "Yes, you're right, Ugarte. I am a little moreimpressedwith you," referring to Ugarte's bold murders to get the exit visas, as well as a little disgust that he would have gone so far. Rick hides the two priceless letters of transit for him, secretly stashing them in the club's upright piano while Sam sings and plays: "Who's Got Trouble? - Knock on Wood" - the song title provides commentary that is pregnant with meaning.紫金香W6OJ1ou

The king of the Black Market and rivalBlue Parrotcafe proprietor, a large-figured Senor Ferrari (Sydney Greenstreet), enters the cafe. Immediately after the song ends, the white-suited, large man offers to buy the cafe - an offer that he has made (and had rejected) numerous times. Rick isn't interested in selling, so Ferrari offers instead to buy the contract of Rick's piano player Sam (Dooley Wilson in his film debut), and then criticizes Rick for his "isolationist" policy:紫金香_6D [(` J

Rick: It's not for sale.
'A'r hE;N ~8F#g%H V$P0Ferrari: You haven't heard my offer.紫金香 x|dP5|a?
Rick: It's not for sale at any price.
] tI6y'B0Ferrari: What do you want for Sam?
lBFc8~r"b0Rick (looking down and with understatement): I don't buy or sell human beings.
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]i;Q0Ferrari: Too bad. That'sCasablanca's leading commodity. In refugees alone, we could make a fortune, if you work with me through the black market.
W:l{OAF)m~0Rick: Suppose you run your business and let me run mine.
3KD*t oM5Hgd7ai0Ferrari: Suppose we ask Sam. Maybe he'd like to make a change?
:zYCHSkA3M0Rick: Suppose we do.紫金香.q;H?V8y
Ferrari: My dear Rick, when will you realize that in this world, today, isolationism is no longer a practical policy?

Sam is asked about his loyalties, and steadfastly wishes to remain with Rick ("I like it fine here"). Rick is ultimately detached from politics.

Rick is also divorced from romantic associations and commitment. At the bar, a cute, infatuated French bargirl Yvonne (Madeleine LeBeau) confrontationally begs for his interest, but his alcoholic mistress no longer figures in his life:紫金香@7\b.?~Y2T

Yvonne: Where were you last night?紫金香!u9v6t;e M^5Q6S
Rick: That's so long ago, I don't remember.
U8^Q]-\kxk0Yvonne: Will I see you tonight?
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C(_9n0Rick: I never make plans that far ahead.

Rick orders his crazy Russian bartender Sascha (Leonid Kinskey) not to serve Yvonne any more drinks, and then orders Sascha to call for a cab to get her to leave quietly and go home. Outside, the rejected, drunken mistress tells him: "What a fool I was to fall for a man like you." After putting her in the cab with Sascha, he turns and sees Renault relaxing on the front patio terrace at one of the outdoor tables. The opportunistic police Capitaine Renault, who enjoys a social friendship with Rick, has witnessed her send-off. He resents Rick's easy way with women and wryly observes that maybe his chances with the discarded Yvonne will now improve:紫金香4p3Jw+E9WYPHO

How extravagant you are - throwing away women like that. Some day they may be scarce. Oh, I think now I shall pay a call on Yvonne, maybe get her on the rebound, huh?紫金香 D8\Fc d3yF8gM

Rick politely calls Renault promiscuous: "When it comes to women, you're a true democrat."

As they chat, it is revealed that they are looking down the main runway of theCasablancaairport. The Lisbon-bound plane takes off over their heads. [Unrealistically, it couldn't be seen from the cafe - the airport is six miles away!] Renault asks Rick if he wishes to be on the plane on his way toAmerica, speculating about why Rick hasn't returned there on Pan American Airways' airborne BoeingClipperseaplane fromLisbon:

Renault: You would like to be on it?紫金香3ag+DV7u5L
Rick: Why? What's inLisbon?
eP-g4\ X!]2wKf9X0Renault: TheClippertoAmerica.紫金香J]Z6[kg5FY

As Ugarte did earlier, the French prefet pries, with jest and jocularity, by asking questions about Rick's mysterious and intriguing past. He speculates that Rick has been exiled because he is guilty of either a spiritual-religious robbery, adultery, or murder. But Rick again wryly dodges and evades his questions with understated wit, confirming that he transgressed in all three ways. He only admits to seeking refuge inCasablancato find health - mostly through inward solitude, brooding and a quest to forget his melancholy past:紫金香F)vV'| aV8}r y!N

Renault: I've often speculated why you don't return toAmerica. Did you abscond with the church funds? Did you run off with a Senator's wife? I like to think that you killed a man. It's the romantic in me.
,dVz:qRr!vC:l0Rick: It's a combination of all three.紫金香l6b.P @ ocB s l
Renault: And what in Heaven's name brought you toCasablanca?紫金香J2A7R/N-Dt6t&k"?
Rick: My health. I came toCasablancafor the waters.紫金香s*mJ$E1J
Renault: The waters? What waters? We're in the desert.紫金香.i7^$@?7pOp
Rick (laconically): I was misinformed.

Rick is summoned into the cafe by his croupier Emil (Marcel Dalio), who apologizes for losing 20,000 francs to one of the betting customers.紫金香s
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In the cafe, Renault warns Rick that there is soon going to be some excitement that evening - a murderer [Ugarte] is about to be seized and arrested at the gaming tables for the killing of the two German couriers. Knowing that Renault is referring to Ugarte, Rick vacillates for a moment about where his loyalties lie, as Renault reminds him: "If you are thinking of warning him, don't put yourself out. He cannot possibly escape." With a well-known line, Rick resolutely states his private withdrawal and isolationism from World War II intrigues (and his personal disengagement from each of the characters he has dealt with so far - the cafe's customers, the Deutschebank German, Ugarte, Ferrari, Yvonne, and Renault). After the delivery of Rick's line, Renault approves of his "wise foreign policy" to defensively keep to himself and to thwart any intrusions:

I stick my neck out for nobody.

In his upstairs apartment above the cafe, Rick is also told that Major Strasser of the Third Reich will be an "important guest" at the cafe during the time of the arrest, as Renault boasts competitively: "a little demonstration of the efficiency of my administration." Renault advises Rick to be careful and not be tempted to accept a "fortune" from someone rumored to have enough cash to purchase an exit visa:紫金香GRB/}pEE3M:p

Renault: Rick, there are many exit visas sold in this cafe, but we know that you've never sold one. That is the reason we permit you to remain open.紫金香#l6I.`.\HrfB
Rick: I thought it was because I let you win at roulette.紫金香
TR2C4K7G J N
Renault: That is another reason. There is a man (who's) arrived inCasablancaon his way toAmerica. He will offer a fortune to anyone who will furnish him with an exit visa.
d-od&Y"zIyQ7B0Rick: (with a flat, disinterested tone) Yeah? What's his name?
4@/]Y;ow5]0Renault: Victor Laszlo.紫金香8q,nhh%@t